listing somewhere between the cognitive and the corporeal comes the third release from gratone.-the periphery of a building-, a live remix work featuring long-time collaborators audun kleive on percussion and jan bang on live sampling sees the young norwegian label expound on the territories between extended jazz and the dance floor through a four track lp. veterans audun kleive and jan bang tap into something innate that moves perpendicular to the techno ethos perpetuated by the label s previous releases. -the periphery of a building-, is a work that brings the past into the present and draws a red thread between genres. it juxtaposes disparate ideas between the dance floor and jazz, and ensnares itself in the tangled web of tradition and progress in a bold indefnable musical dialect. upholding the ethos of gratone by negating expectation -periphery of a building- also calls in a new era for the young, but fertile label. -periphery of a building- is kleive and bang reconsidering live punkt remixes* of etenesh wassie & mathieu sourisseau, atomtm and clarinet factory & floex. in their selection of source material for the gratone lp, they eradicate, and then reconstruct tradition. *the punkt live remix concept puts third-party musicians, producers and composers in a real-time remix situation during a punkt festival live show. fiona talkington: stian balducci s gratone (grey tone) label inhabits an exquisite genre-defying world.the latest release features two of norway s legendary, pioneering musicians, live sampling guru and co-director of the globally acclaimed punkt festival jan bang, and audun kleive, a musician whose work over the decades has repositioned the language of drumming. together they forge an exquisite, adventurous path, as delicate as chamber music, as powerful as rock, and engage with samples with respect, a spirit of adventure and a creative vision which is simply inspiring. limited 180gram vinyl in hand stamped recycled cardboard jackets with silkscreen print.

win2win, aka black spuma, aka lauer and fabrizio mammarella. is that enough names? new project from two of slow motion s most loyal artists fantasia 500 channels the spirit of detroit electro and even dare we say it ghetto house through the disco grinder to make something totally new. with enough chug and swagger to rock any floor this four tracker is 100% party ready.

parallels is the fourth full album released under jason chung’s distinctive moniker, nosaj thing. masterfully dimensional, parallels represents the acclaimed los angeles-based electronic producer/composer/performer’s most diverse, vital work yet. as such, chung sees parallels represents a kind of redemptive rebirth. the album’s compellingly elusive, uncategorizable sonics developed out of what he terms a personal & musical “identity crisis.” according to chung, working with a group of collaborators on parallels that combined both longtime friends and new creative partners added “new energy which pushed me not to limit myself. everything felt fresh and alive.” chung is known specifically for his innovative, unexpected musical pairings: kid cudi hit up on nosaj thing via his myspace page in 2006, resulting in chung producing cudi’s autobiographical classic “the man on the moon.” kendrick lamar flowed over nosaj’s ethereal boom bap to create the youtube gem “cloud 10”, chance the rapper, meanwhile, freaked a nosaj beat for his 2013 breakout masterpiece “paranoia” and appeared on nosaj thing’s previous lp, 2015’s fated. chung and blonde redhead vocalist kazu makino are also longtime creative partners on each other’s work, her voice appears on parallels as an otherworldly spirit animating the icily ‘80s-synthetic “how we do.”

soulstice music is back! and this time we present to you i m in love. a true soulful house gem created by the incredible uk producers the l.o.v.e project featuring the amazing vocals of shean williams (craig david backing vocal). this is the ultimate collection song that can uplift your spirit whenever or wherever you hear it! it will be a hit today, and a classic tomorrow. this song is timeless! just as we like them here at soulstice music. seans voice and lyrics will bring the sweetest feelings out of you, and combined with the finest studio arrangements from the l.o.v.e project this track will simply and truly make you feel like im in love if you know the house music scene, it is impossible not to know the remixers that joined this project: dj spen, earl tutu & jhon khan, mark di meo and rob hardt (cool million). we say no more! other than we are proud to assure you i m in love will become a house music masterpiece!

0am001 is the first in a series of various artists 12-s in which we ll aim to capture the spirit of the 00:am dance floor with music we ve received and road tested across our beloved city s bars, clubs, & half cocked after parties. the first release brings together local neighbourhood staples / roommates priori and adam feingold alongside our good australian pal mike midnight and la s very own ashtrejinkins. expect house from the melancholy to the roughed up, live drums & breaks, and beautiful dubby atmospherics. all this to say, there s no set rules here, just good music from good friends, and hopefully a little something for everyone inside.

producer and dj from cantabria pablo bolívar signs the new release in his very own seven villas, in which he takes the chance to interpret --remixwise-- the tracks on the album traverse -by sensual physics which was originally released in 7v in 2016.

we are facing a very special project for pablo bolívar this time. his admiration for the veteran german producer joerg schuster -one of pablo s musical heroes- gets highly reflected in each one of the eight revisions which form this traverse (reprise) . what pablo exactly does is to respect the original escapist, dubby and ambient spirit of the original trip proposed by traverse , by means of adding a soft, deep and sophisticated club aura. he turn that the album sensual physics takes into the most characteristic bolívar style is tasteful and subtle, therefore it seems a sequel of the original one. no crashes, no harshness. here everything flows simply in a natural way, especially that ambient-deep and tech fog which just adds a punch in any case. tunes as mondragon , málaga or miracle -among others- acquire a new dimension when touched by pablo bolívar s hands: always looking to their origin with respect to the original producer and the delicacy of a revised piece of work.

cosmic bridge welcomes yet another new talent to the roster: uk producer jordan parsons aka crypticz, who for the past few years has been distilling influences from drum & bass, dubstep, and footwork into a deeply personal sound. following eps and singles for different music, inflect audio, and doc scott’s own 31 records, crypticz delivers a personal, emotive release for cosmic bridge. forever was put together over the past year by om unit and crypticz — with the label boss inviting parsons “to take more risks and guiding him into the fog.” as a result the ep offers a distilled, more refined take on the dub aesthetic that has powered the young producer’s music to date.

the highly-anticipated ep, despite everything , written and produced by italian techno artist, ayarcana, with remixes by london based producer manni dee, along with berlin based producer, huren, is finally here. this is the second release for omen recordings, once again archiving the dark sounds and malignant spirit of techno.

after a rollercoaster twenty-five year career as an artist, curator and tastemaker, james lavelle returns with unkle’s fifth studio album: the road part 1.
the road part 1 is a collection of fifteen new unkle tracks inspired following his curation of 2014’s meltdown festival at southbank, their most successful to date.
the road part 1 is a collective creative venture by musicians including london folk-rock artist and poet keaton henson, primal scream’s andrew innes, the duke spirit’s liela moss, long time unkle collaborator mark lanegan, and mercury prize nominee eska.
lavelle also found new friends and collaborators in queens of the stone age drummer jon theodore and beck drummer justin stanley, who make definitive contributions throughout the record.
recorded in london and los angeles’ pink duck studios, the road part 1 is the product of a desire to create something fresh and innovative, that also celebrates the rich history of unkle, and showcases a new wave of talent such as elliott power, mïnk and yseÉ.
double 180 gram black vinyl, housed in a gatefold sleeve.

get ready for some true wonkiness, courtesy of neil landstrumm.
this is techno purely for those rock-solid psyches who lack that element of the deranged, the off­-kilter and the strange - on the dancefloor and in their own mental constitution. if you’re even slightly in doubt of your sanity, stay well clear of this cut.
the fact that he’s been using elektron instruments probably means it’s even more important to have that straightjacket at the ready. even that won’t stop you from dancing, though. neil has been making wonky techno since antiquity, hell, he’s the progenitor of the genre, but what you probably didn’t know is that he’s also been doing graphics for rockstar games, the software house that brought you grand theft auto.
he’s been a skilled elektron user from the very beginning, from the high and far­ times of the sidstation.

mental groove records is thrilled and honored to announce the follow up to last year water vein ep (mg115) by asian psilocybe foundation & dj yogurt. entitled daikaku, a buddhist term for one who has achieved enlightenment. this second installment smiles on geinoh yamashirogumi akiras soundtrack. apf is an eccentric japanese musician who raised attention from the detroit. remixed by jon dixon of underground resistanceÆs timeline, apf first ep was released by once legendary producer orlando voorn (fix, game one, baruka). on the a side he achieves to capture akiraÆs spirit with his own organic and floating sound signature within a long, delicate and trippy techno number while on the flipside dj yogurt, a regular figure of tokyos nightlife who worked at cisco records, delivers two straight percussive numbers fueled with traditional japanese flavor to take the most discerning floors to a tetsuo state-of-mind. mastered by music matters mastering and cut at emil berliner studios, berlin.

ramrock records are proud to present the new album from musical visionary, ghetto priest. already known to many as the frontman of asian dub foundation and vocalist on their globally acclaimed single fortress europe , ghetto priest has been captivating audiences with his powerful vocals and magnetic stage presence over the past three decades. with a raw energy and spirit un-matched by many artists of his generation, he constantly pushes at the boundaries of roots music, his style strongly maintaining the essence of his jamaican heritage. produced by on-u sound supremo adrian sherwood.

come together: re.yous younion returns with more sublime unifying forces. beats that bring us closer, feelings that break down barriers and artist partnerships whose creative connections are more than the sum of their parts. the message is clear in every directio, from the longstanding younion parties across europe to the slow-but-smouldering rise of the label, of which we are proud to present its third release tapping into the very same younion spirit that regularly shakes the walls of iconic clubs such as watergate berlin and pacha barcelona, this four track ep is an incisively curated collective ep comprising three acts who complement each other implicitly. as the dust still settles from florian busses recent younion outing, and solomun continues to hammer the labels first release from eins tiefer, the timing couldnt be better. the perennially on-point dutchman rancido takes the lead with two deep tribal odysseys that take root in the sound he’s made his signature. both >lagos< and the vinyl-only >rabat< conjure deep mystic textures around his stately, restrained and constantly developing grooves. there is a reason he is released with the mighty innervisions in the past. deeper again re.you whips up a percussive storm over palpitating synths in the form of >dao< before handing the controls over to rising german duo cosmo & kramer for an inspiring finale. a duo re.you has been championing since they warmed up for him five years ago, >dance< is a calling card for an extremely exciting future… and it more than lives up to its name. three releases deep and younions unifying forces couldnt be stronger. its time to combine.

blacksilk proudly announces its third release, the second on vinyl, reissuing a selection of tracks from dsordne, experimental electronic band active in turin during the 80’s and early 90’s. thanks to the proactive and collaborative spirit of marco milanesio, band’s founder and author of most of the songs, deserved and proper attention is finally given to three stunning original masterpieces of dusky, heavily post-punk influenced tracks veined with some sort of industrial aftertaste. these songs have been selected from a span of works, mostly autoproduced, that dsordne released in the years of activity on various labels (primarily the related hax records) or fanzines of the thriving italian underground scene of the time, which provided the perfect environment to experiment while representing the dull, grey and nihilist reality of the already post-industrial turin of the mid-80’s.

moby is a true electronic music pioneer. he redefned rave on singles like 1990s ôgo,ö then slowed down to explore its aftermath on the multiplatinum play lp. decades later, the man is still fring off pointed, personal salvos and dance music curveballs from his la studioùand, in a most ftting partnership, heÆs enlisted foolÆs gold to remix his iconic catalog on the diverse new black lacquer ep. treasure fingers, madeaux, high klassifed, and fg co-founder nick catchdubs each put their own spin on moby hits like ônatural bluesö and ôporcelain,ö bouncing from industrial experiments and futuristic techno workouts to late-night house and zooted club bass. black lacquer isnÆt the moby youÆve heard before, but a surprising collection that keeps his trailblazing spirit alive. sleeve by wax studios.

nice price deal !!! ... the original mix which has massive support from jesse rose, claude vonstroke, samim and many more.danton eeprom keeps the dark ambiant fx and spirit and adds a monster subbass. this remix is the perfect dj tool.

ltd to 100 copies + insert
helena hauff s label continues to subvert all expectations by celebrating the truly underground and ignoring all expectations to provide obvious club material in line with her dj sets. instead we get treated to blood sport, a daring post punk band with a whiff of the pop group in their frenzied, messy style and plenty of sonic trickery occurring in between the intricate playing. -harsh realm- has the textural finish of earliest cabaret voltaire, but with a little more deft playing from the intensely talented players. -boiled in dust- meanwhile has a distinctly afrobeat-meets-industrial spirit that makes for striking, original material that should appeal to lovers of the truly alternative side of british music culture.

hamid s h+ (hpls) label continues to plough a furrow into the freakiest corners of the minimal scene, keeping the spirit of labels like telegraph and minibar alive with off-kilter beats, freaky sampling and wayward synth work from lesser known operators. g76 is up on the a side with the wonky wonders of -father-, packing some seriously squelchy monosynth bass and plenty of beat trickery to wriggle under the skin of the most deviant dancers. h+dk (hamid and denis kaznacheev) tackle the b-side with -tachtagol connection-, keeping the drums as slender as possible and using a sweet but subtle pad as the focus of the track. it s a simple approach, but utterly effective.

first release for nativsoul on qalomota records. this perfect afrodeep ep straight from african spirit contains the masterpiece desert sun mix. hipnotic and deep, tribal and strong, the original mix and tribal ceremony mix complete the ep.

turbo recordings is proud to present a release a full year in the making. a&rÆd by turbo elder thomas von party, gender embodies the adventurous spirit of his own multi culti label, and marks a return to the kind of mega remix pack we used to make when the world was young and an alternate dub rework was all you needed to get by. germanys skinnerbox sets the template with a high-speed jungle rave banger, which is an accurate enough description but not something we would expect you to ever repeat out loud. the 12-inch also features versions by swedish nice guy axel boman, who missed the submission deadline by 13 minutes but still managed to turn in a 12-minute epic jam, and glasgows auntie flo, who somehow harnessed the siren song of the iphone with a marimba-heavy mix.

tale & tone channels lee and hoj’s experiences exploring the world’s most sought after party destinations from the magic of hazy sunrises to the dim warehouses of underground’s past. the label acts as a bridge between the diverse environments in which dance music thrives and a showcase of the unique stories told by its sounds and devotées. the storybook ep will chart the tale & tone journey starting with a full vinyl release on july 21 and digital singles to follow. the ep begins with the mystic groove of daso and lutz’s better followed by the caribbean inspired ethereal soundscapes of cornucopia’s letter for poly. all day i dream mainstay lost desert has aligned with amari for the intricately layered, vocal driver hunter, while the revelatory soul of dance spirits wash me clean calls out to the calmer side of the electronic spectrum. the release is capped off with the late night affair of newman’s the sky and earth and in hoj’s own words on tale & tone, -lee and i are great friends and have been talking about starting a new project together for a long time

the debut album from j hus, featuring the singles “did you see” and “friendly” released on vinyl via black butter records.

here it is! some brand-new wax for your listening pleasure! the days are becoming longer, summer is just around the corner, and our latest release appears to perfectly embody the spirit of something new, something fresh, and something exciting. indeed, we’ve combined all this into a single 12” featuring the likes of satl & electrosoul system, and invadhertz. the release is all about good mood and chilled vibes, and virtually anything you can tag with the liquid label (if you really need to). but categories aside, our new twelve incher comes with a superb collab between satl & electrosoul system on one side, and with a solid track by the upcoming collective of invadhertz on the flipside. the former, entitled “satless”, is a warm, vocal-infused gentle roller that seems to be best enjoyed in the sunny days to come, while the latter, named “lily”, offers a nice combination of a bit rougher percussion section and booming bassline enriched with even more of vocal inserts. all in all, the whole single is a tasty treat for all those into the lighter side of drum & bass.

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn’t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it’s release. the original by king britt is an ode to the ritual of dance music in it’s purest form. with vocals panning across the stereo field that preach ‘sing, dance, be, free to dance’, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it’s a modern hymn that never fails to mesmerize and bring people’s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. “free to… free to… free to…” nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

after building their reputation as a force for positivity in the berlin dance scene, berlin bass collective have looked amongst their ranks to find two producers with the talent to reflect their tried and tested ethos which has been setting dance floors alight across berlin and the uk. built from a palette consisting of raw, low-fidelity found sound, obscure disco reworking and original bass lines these tracks are built to function as well underneath the mirrorball of a packed dance floor as they are kicking back at a friend’s house party.
on the a, brian ring draws on his immense knowledge of the disco and soul roots of house music. channeling the spirit of his night time dalliances as a resident of both the disco kiez and house of love parties in berlin, brian’s productions embody the philosophy that good music is music that gets people moving.
on the flip, bridge guy takes us into super chill with a collection of organic, lo-fi tracks that loop beautiful disco bass lines and vocals so sultry you will feel like you’re floating.

dj rocca & hard ton on the magic number 12. a homage to the get down. jack & boogie - you ve got the choice, to sweat and wet in new york - chicago - berlin - soho or wherever it is, you re with the spirit of fnm guiding you to shake the fl oor like it s hotmix 5. with two mains on the supersound 12- vinyl, the whole ep comes along with 4 more tracks and mixes to download. including -will you be mine- together with the enzo elia house classic remix. including 2 more bonus remixes by fnm and sabatini written and produced by luca roccatagliati, mauro copeta, massimo bastasi. mixed by luca roccatagliati at marslife studio, reggio emilia, italy hotmix 5 tribute dub by fnm (filippo naughty moscatello) mixed at blackhead studios, berlin. mastering and cut: by mike grinser, manmade mastering, berlin executive production marion & alberto sabatini & handle with care, berlin

ralphi rosario is a pioneer of house music, kicking off an influential dj career in chicago when he was still in high school. the remixes and productions that followed have garnered him #1 billboard dance chart hits as well as more than 20 well-respected years spinning records. he’s an artist who represents the ethos of glitterbox recordings, with decades of quality house music history woven into every beat. also in line with the spirit of the label, ‘wanna give it up’ is a classic track given some very tasteful modern updates, from dr packer and jamie 3:26. the familiar ‘légo’s dub’ from the original release is present and correct, alongside a suitably funked-up version from disco edits maestro dr packer. finally, fellow chicagoan jamie 3:26 amps the party up a further notch with some irresistible clinking percussion and a lazy-cool groove.

the silverlining dubs series marches on with this set of three rare remixes by the south londoner. the a-side features silverlining s outright monster of a dub of the inhabitants -the truth and a lie- with jayson walker of vocals, followed by the warm baseline heavy groove of g-spot by tokyo s dog with the groove lights and on the flip, a whole side dedicated to his highly sought-after remix of the mingers. together this cooks up one swirling broth of straight up underground house music with sprinklings, in equal measures, of intellect and party spirit!

with releases from lerosa, andy mac and piezo already under our belts, idle hands strides towards the summer with a transmission from a kindred spirit across the pond. area, sometimes known as m50, has been flying the flag for forward thinking electronic music in chicago for a long time. his radio shows on wnur have a distinctive quality one step to the side of the music his hometown is best known for, while his label kimochi sound has released incredible music from the likes of benjamin brunn, strategy and many more besides. as a producer area has been equally prolific since first emerging in 2007. from ethereal sound and steadfast to untilmyheartstops and sequencias, his various approaches to rhythm and texture are all bound together by a meditative quality that feels like a perfect fit for idle. on this single, both sides of the 12- continue the theme of dusty, dusky 4/4 area is most widely known for, locking on to a house groove while sporting the abstract atmosphere of techno. -rlgl- is an understated, emotional heater that uses looped up fragments as a counterpoint to the more lilting strings and static that bed the track. notice takes a more overtly melancholic approach with its lingering, heavily processed keys that drift in between a tough set of drums. theres a punch to the track that will translate beautifully to a big system, even as the melodics spell out a more intimate listening experience.

shadowy multidisciplinary artist & videographer denial.of.service returns to film for an extended ep of wrought iron electronics, channeling the spirit of classic electro, industrial & noise. the artist, active since the 1980’s producing video work for a host of high profile names - including not least david bowie, currently transmits sporadically from an undisclosed location, though contemporary work has appeared on the creators project, as well as making the vimeo staff picks on an almost regular basis. recently, video commissions for minimal wave & jealous god affiliate in aeternam vale have ap-peared online, showcasing the artist’s trademark crushed, hallucinatory visual aesthetic.

following last year’s much-acclaimed solo album “mondo alterado” (hippie dance 08), original pachanga boy and hippie dance mentor rebolledo returns to the limelight with the jam-packed mondo re-alterado (hippie dance 10), tapping into his vast and varied network of friends and fellow soundsmiths. artists such as superpitcher, dj tennis, maceo plex, red axes, fango or fantastic twins deliver stunning takes on rebolledos’ unique signature sound, creating a full suite of exclusive remixes, cover versions and reinterpretations.
from the super-energetic club rumblings of maceo plex’s discotico plexico to dj tennis’ dreamy pimiento drive version of a numb gas to the future or fantastic twins’ party bomb fantastic pow pow, the journey through mondo re-alterado is full of twists and turns – a world where an epic, cinematic soundscape such as superpicher’s rainboy super space sits comfortably alongside the claustrophobic, punishing banger that fango sculpted from stand-out cut “pow pow”.

meanwhile, red axes turn the casual narrative of “life is strange, life is hard, life is great” into a bouncing workout – a great companion piece to want, danny daze and shokh’s propulsive, jagged dub version of “fears come true”. other highlights include jörg burger aka the black frame with the lush black rainbow woman, paulor’s country rock extravaganza discotico desertico and not one, but two excellent contributions from former italians do it better honcho mike simonetti. it’s a magical, surprising ride that finds beauty in contrasts – while staying tuned to rebolledo’s spirit of adventure and powerful sense of style.

this is the first release of rise music by the south african born floyd lavine. he invited pablo fierro and david mayer to contribute their remixes. rise music is a platform to showcase and define new african house music. if you want to go fast, travel alone. if you want to go far, travel together. that’s the spirit of rise. it is building musical bridges between africa and the rest of the world. rise is about unity in diversity.

!! ltd 50% deal !! following up on an excellent 12inch for karakul, a phonica records sub-label, he channels the spirit of legendary rhythm architects herbie hancock, theo parrish, kenny dope and lil louie vega, collating four rough gems made using an mpc, nord lead 2, roland sh101, roland 606, juno 106, jen sx1000, rhodes 88mk1 and with the help of mark hand on keys, misumami on vocals and ian blevins. each track packs incredible punch in the groove stakes, undoubtedly the characteristic that has attracted the likes of moodymann, seven davis jr and gilles peterson to ny*ak s music.

following the meeting between masomenos, vadim svoboda and m hamed el menjira, abdessamad boussahfa and sanhaji, cosmo records is once more exploring the crossover between western electronic music producers and traditional african instrumentalists. this time around the casablanca-based label is welcoming a new artist to the fold. cesar merveille has been active in the european house and techno scene for many years, releasing on labels such as cadenza and visionquest while always pursuing his own unique creative agenda inside and outside the conjines of club music. cesar s recent adventures have found him launching roche madame, a label for his most personal and expressive work. in the spirit of this exciting new phase in his career, this release for cosmo jinds him working with the captivating tones of senegalese vocalist malik diop across a range of tracks that capture the crosscultural spirit of cosmo. -kosmos- is a thoroughly delicate production, using intricate threads of percussion that fall in intriguing, fractured patterns behind the layers of malik s voice. the melodic content follows this hypnotic format, drifting in and out of earshot in a playful key that speaks to west african traditions even as it transmits through contemporary synthesis.

nice price deal !!! pushing cosmic disco to the max ! for all fans of prins thomas, todd terje or dfa! first release, signed erik wikström includes two big songs: marathon and autonight. as the title indicates marathon it is a seven miunute workout. on the remix, feed pays a tribute to the origin of electronic music. riding the bassline even harder in the spirit of tour de france. autonight is more of a starter but also a stomper. once again showing his abillity to combine digital soundscapes and analog synthezisers wikström takes us on a late night drive. as a part of meatboys, erik remixed tracks by embassy and robyn amongst others. in 2006 they released the 12 fireworks on casette records. wikström also mixed the uk number one song with every heartbeat by robyn and kleerup.

for the second vinyl we are excited to have argentinean artist may and her ep 30 segundos. 30 segundos captures the spirit of summertime house music. when the sun is out, we shake off remnants of winter malaise. the light changes, skies open, horizons widen, the body warms. and our perspectives shift. you look up and see distance, every second a lifetime. each track offers a slightly different view on house music. the title track is bright and energetic, where drums and synths tumble forward. cometa pushes the bassline to the forefront driving track forward while the synths and percussion dance around it. on the b side leonel castillo remixes the title track into 9 minutes of shimmering, propulsive house music.

solo project of vanishing twin (soundway) member. the song cucumuber sword feat. vocals by taishi nagasaka (fat white family) man from uranus has been making music inspired by the freakier edges of 60s and 70s library music and jazz for almost 2 decades, and like his predecessors - sun ra, space lady - he s never really fitted in, feeling more comfortable exploring cosmic realms than than with his feet firmly on his own planet. a prolific composer and home recordist, he has garnered a reputation for eccentric live shows, each presenting an entirely new repertoire. alien flowers, in a limited edition of 300, is one of few recordings capturing the spirit of an artist who is unwittingly on his way to attainting cult status. alien flowers has been played on nts, the wire s adventures in sound and music and the independent music podcast. support from the sunday experience, tom furse (the horrors), jonny trunk, doug shipton (finders keepers), emily bick (the wire) and anthony chalmers (baba yaga s hut).

artscore - the very basic core of a man’s living spirit is his passion for adventure. the label aims to reach people and show the true heart of the label, with the core of it. emmanuel opens the label, showing the path with 2 essential records. diamonds & ashes, the title comes from a 19th-century poem by cyprian norwid and references the manner in which diamonds are formed from heat and pressure acting upon coal.

ast echoes ep is the title of the new instalment of chaval records, madrid label that after 15 references remains faithful and sensitive to techno sound originating in detroit, the artistic matrix of all the vinyls that has published the editorial platform of victor santana. this time madrilian producer entrusts the new ep of his record label to an emissary of the legendary motor city: brian kage.

anglo-cherokee-japanese skateboarder turned musician korey dane returns with his second album chamber girls. influenced by the likes of t.s. eliot, tom waits, karen dalton, the beatles and the stones, and more, chamber girls was recorded almost completely live at l.a.’s analog time capsule valentine recording studios, searing instinct and experience direct to tape. dane produced everything himself, too, except for a quick assist from legendary producer tony berg (x, public image ltd.) on one song, and he was inspired by the deceptively simple ethos he’d internalized while making youngblood: pursue greatness. “writing a song that you know someone might skip over later is sacrilege,” he says. instead, he wanted every song on chamber girls to feel not only live but alive, too, with that go-forbroke spirit that animates everything he says, does, or sings: “i’m writing all the time,” he says. “i’ve lived by a line a day sometimes. i try and stop when it’s good. if you try and simplify it down to its bare elements ... it’s truly a redemptive act.”

lange war es still um nelly furtado. nach ihrer letzten welttournee zu ihrem album »the spirit indestructible« gönnte sich die kanadische sängerin erst einmal eine wohl verdiente pause, die allerdings fast fünf jahre dauerte.
ausgeruht und frisch startet sie 2017 ihr comeback. im gepäck hat sie ihr neues album »the ride«, für das sie mit zwei echten hochkarätern zusammenarbeitete.
das transparente 180 gramm doppelvinyl erscheint im 3-fach klappcover.

what does teen spirit smell like, anyway? it might smell something like noise addict. like the real life stars of some sort of choose-your-own-adventure book about pursuing rock stardom, few bands ever led a more charmed existence, springing from the sydney suburb of bondi into seemingly overnight international fame as friends and collaborators of sonic youth, fugazi, and the beastie boys. through a combination of relentless drive, luck, and an admirable lack of self-doubt, noise addict spanned puberty to surpass the haters and join radio birdman and nick cave as a strange but permanent piece of australian punk history.
compiled here are 25 tracks, including their evan dando-worshipping satire “i wish i was him,” the thurston moore produced demo, choice cuts from their grand royal-issued ep and lp, and covers of “let’s lynch the landlord” and “back in your life.” the entire sordid adolescent tale is covered in incredible detail inside the black and white 16 page zine. and finally, for the first time in the history of record pressing, and for no good reason at all, the cover for 10.000 kids with guitars doubles as a working chalkboard.
limited to 2000 copies on black vinyl.

over two decades have passed since the mover aka marc acardipane made his first appearance to the world of electronic dance music. under the wings of planet core productions (pcp) his releases spoke for themselves and he quickly earned a special pioneer status and cult following. the mover was always a unique sound leaning towards the edge of darkness and abstract characteristics. with several releases on his co-owned label pcp as well as r&s records and tresor he always managed to create unforgettable milestones of raw, apocalyptic yet danceable tunes that have remained timeless and individual until today. with the mover – selected classics (remastered 2017)- on his freshly launched label planet phuture- he returns to the surface and shakes the world with a compelling assortment of the most impactful tracks in a remastered, fresh sound quality. experience an uncompromising dystopia with tracks like nightflight (nonstop 2 kaos), into wasteland- or we have arrived. astral demons, waves of life or spirit slasher will pull you deeper into the center of your subconscious mind and certainly leave you dazzled. the mover - selected classics is unquestionably one of those releases that can t be ignored and must be a part of everyones techno collection!

the 2nd album from radiohead, originally released in 1995, now back on vinyl with download code included.

public release’s lucky thirteen and second release of 2017 is by another kindred spirit newcomer to the label, earth boys, a brooklyn-based duo that’s all dreamy keys, soft pads, peace frogs, throwback vibes, and deftly futuristic house rhythms, though not necessarily in that order. with trail mix, mike sherburn and julian duron have built four gloriously friendly, oddball house cuts— cheeky, choppy vocal samples juxtaposed against schmaltzy piano licks and punchy tribal rhythms rubbing against smooth bass figurations. their ironic sense of humor intersects with precisely crafted productions in a way that underscores both, making the ep a brilliant concoction of bouncy, energetic dance music that teases the genre as much as it revels in it. if that messes with your head, just shut down your left brain, drop the needle, take a big ol’ rip, and see where a microdose of earth boys will take you.

things have been heating up on lee burridge’s smouldering get weird label in the last year. picking up serious momentum with a consistent flow dispatches from the likes of dance spirit, hauy, superlounge, tim green and more, each release has been a startling jolt from the all-too-comfortable road-middle into more diverse, uncharted pastures deep in the sweet spot between house, techno and electronica. this next release from brand new artist kaled is certainly no exception. get weird? get to know… tunisian kaled shows depth, range and rudiments beyond his early-man status. a deep musical spirit with a penchant for poignancy, taste for theatre and strong sense of restraint, there’s a timeless evocative feel running throughout each of these three unhurried, subtly-orchestrated gems. ‘the field & the sun’ sets the scene, a palpitating progressive beat is laced with strident string strikes that build layer upon layer, creating a cushion for a goosebump-inducing late-entering piano line. ‘nemo’, meanwhile, finds itself in the midst of another swooning set of strings. ignited by a percussive pebbledash and leading with the distinctive middle eastern instrumentation, the backbone is maintained by a devilishly simple and hypnotic synth riff that holds everything together

the persuader makes his second appearance on parabel. delivering three high class tracks in true persuader spirit.

“hermanio age” ep is driven by a bassline on which an elegant melodie is wandering. this ambient house tune wants to recall the spirit of nature, where you might hear the reflection of sunlight on water or the vast landscapes of deep space... the future is now, and here it is.

the fourth studio album from enigmatic pop impresario sia illuminates the playful, yet sophisticated spirit of an emerging force in pop music. originally released in 2008, it’s now available for the first time on vinyl. the double lp is housed in a gatefold sleeve with artwork faithfully adapted from the original release.